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La legende du bonhomme misere: La mort dans le poirier (The Legend of Goodman Misery: Death in the Pear Tree)
ca. 1869-187519th century
8 5/8 in. x 7 3/8 in. (21.91 cm x 18.73 cm)
Alphonse Legros, French, British, (1837–1911)
Object Type:
Prints
Creation Place:
Europe, France/England
Medium and Support:
Etching on paper
Credit Line:
Carleton College Art Collection
Accession Number:
1998.055
The legend of the Bonhomme Misère is a French folk tale. The only valuable possesion of the peasant, Misère, is a pear tree. He gives lodging one night to two mysterious travelers, Peter and Paul. In return for his hospitality, the strangers grant a gift of enchantment; whomever climbs into the pear tree will be stuck. When Death approaches, the old man talks him into the tree, where Death is forced to stay. Thus Misère (misery or poverty) remains forever among the living.
Keywords
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This object has the following keywords:
19th Century,
British*,
etching (printing process)*,
etchings (prints)*,
French*,
paper (fiber product)*,
prints (visual works)*
- 19th Century
- British - Refers to the culture of the modern nation of the United Kingdom. It also refers to the cultures of historical nations that had Great Britain as the central ruling power, or to the culture of the ancient Britons, who were those tribes that spoke the Celtic (Brythonic) language.
- etching (printing process) - Intaglio process in which the design is worked into an acid-resistant substance coating the metal printing plate; the plate is then exposed to acid, which etches the plate where the metal is exposed, to create lines and dark areas. For the single step of exposing the plate to acid, use "biting."
- etchings (prints) - Prints made from an etched printing plate, which is a metal plate on which a design is made by coating the plate with an acid-resistant substance, creating a design in the coating, and then exposing the plate to acid, which etches the plate where the metal is exposed. For designs incised directly into a copper plate using a burin or graver, use "engravings (prints)."
- French - Refers to the culture of the modern nation of France, or in general to cultures that have occupied the area of the modern nation in western Europe.
- paper (fiber product) - Refers generally to all types of matted or felted sheets or webs of fiber formed and dried on a fine screen from a pulpy water suspension. The fibers may be animal, such as hair, silk or wool, or mineral, such as asbestos, or synthetic. However most paper is made from cellulosic plant fiber, such as from wood pulp, grass, cotton, linen, and straw.
- prints (visual works) - Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use just "prints." With regard to photographs, see "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
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