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Bookmark: https://artcollection.carleton.edu/objects-1/info/1239
Untitled [landscape, cottage and two small figures on road]
19th century15 3/4 in. x 24 in. (40.01 cm x 60.96 cm)
George Frank Higgins (aka G.F. Higgins), (1850–1884)
Object Type:
Paintings
Creation Place:
Europe, unknown
Medium and Support:
Oil on canvas
Credit Line:
Carleton College Art Collection
Accession Number:
1998.189
Keywords
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This object has the following keywords:
19th Century,
20th Century,
21st Century,
canvas*,
landscapes (representations)*,
oil (substance)*,
oil painting (technique)*,
oil paintings (visual works)*,
paintings (visual works)*
- 19th Century
- 20th Century
- 21st Century
- canvas - Closely woven textile made in various weights, usually of flax, hemp, jute, or cotton, used especially for sails, tarpaulins, awnings, upholstery, and as a support for oil painting. Also used for a latticelike mesh made of similar material, used as a needlepoint foundation.
- landscapes (representations) - Creative works that depict outdoor scenes where the picture is dominated by the configuration, visual and aesthetic, of the land, bodies of water, and natural elements. When the ocean or other large body of water dominates the picture, use "seascapes." For actual areas of land having certain notable characteristics, use "landscapes (environments)."
- oil (substance) - General term for a wide variety of viscous liquids (or easily liquefiable on warming) that are both combustible and immiscible in water. The character of oils may be mineral (e.g., paraffin), vegetable (e.g., linseed), animal (e.g., fish), essential (e.g., turpentine), or edible (e.g., olive).
- oil painting (technique) - The art or practice of producing creative works in oil paint, which is pigment suspended in vegetal drying oils. It dates from at least the Middle Ages in Europe, and was widely adopted for easel painting by the fifteenth century.
- oil paintings (visual works) - Creative works in the medium of oil paint.
- paintings (visual works) - Unique works in which images are formed primarily by the direct application of pigments suspended in oil, water, egg yolk, molten wax, or other liquid, arranged in masses of color, onto a generally two-dimensional surface.