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Blind Botanist
196120th century
40 in. x 26 in. (101.6 cm x 66.04 cm)
Ben Shahn, American, (1898–1969)
Object Type:
Prints
Creation Place:
North America, United States
Medium and Support:
serigraph in black and green on paper
Credit Line:
Carleton College Art Collection, purchased with Print Rental Funds
Accession Number:
1998.089
Green calligraphic inscription reads: "So many, are the links upon which the true philosophy depends, of which, if one be loose or weak, the whole chain is in danger of being dissolved; it is to begin with Hands and Eyes, and to proceed through the memory, to be continued by reason; nor is it to stop there; but to come to the Hands and Eyes again" Robert Hooke, Micrographia, 1665. Shahn treated the image of the blind botanist in several graphic works.
Keywords
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This object has the following keywords:
20th Century,
21st Century,
American*,
Contemporary*,
paper (fiber product)*,
prints (visual works)*,
screen printing*,
screen prints*
- 20th Century
- 21st Century
- American - Refers to the context of or associated specifically with the modern political entity of the United States of America.
- Contemporary - Refers to painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'contemporary' are inherently fluid terms. The term 'contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present.
- paper (fiber product) - Refers generally to all types of matted or felted sheets or webs of fiber formed and dried on a fine screen from a pulpy water suspension. The fibers may be animal, such as hair, silk or wool, or mineral, such as asbestos, or synthetic. However most paper is made from cellulosic plant fiber, such as from wood pulp, grass, cotton, linen, and straw.
- prints (visual works) - Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use just "prints." With regard to photographs, see "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
- screen printing - Printing by forcing ink or dye through a mesh on which a design has been formed by stopping out certain areas.
- screen prints - Prints made by exclusively using the process of screen printing, whether originated by hand or photographically.
Additional Images
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Exhibition List
This object was included in the following exhibitions:
- Art of Language: The Synergy of Text and Image , 4/12/2019 - 6/14/2019
Dimensions
- overall Dimensions: 40 x 26 in. (1016 x 660 mm)
Portfolio List
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This object is a member of the following portfolios:
