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Untitled, woven textile panel depicting Tara seated on lotus throne
ca. Ming Dynasty, 1368 - 1644ca. 14th-17th century
12 1/4 in. x 9 1/4 in. (31.12 cm x 23.5 cm)
, Chinese
Object Type:
Decorative Arts, Utilitarian Objects
Creation Place:
Asia, China possibly Tibet
Medium and Support:
woven textile
Credit Line:
Carleton College Art Collection
Accession Number:
1997.617
Keywords
Click a term to view the records with the same keyword
This object has the following keywords:
14th Century,
15th Century,
16th Century,
17th Century,
Chinese*,
decorative arts*,
embroidery (visual works)*,
lotus (motif)*,
Ming*,
textiles*,
three-dimensional*,
thrones*,
weaving*
- 14th Century
- 15th Century
- 16th Century
- 17th Century
- Chinese - Describes works created by the people of the same name living in China.
- decorative arts - Refers to works that are primarily utilitarian in form or function, but that have aesthetic value provided by the design, decoration, or embellishment. They may include ceramics, furniture, and other household or utilitarian objects. They are distinct from "fine arts," which were traditionally considered to require more extensive training and were restricted to the media of painting, sculpture, drawing, and architecture.
- embroidery (visual works) - Refers to works characterized by a pattern or design executed in stitches using thread or fine wire. The designs are typically executed on textiles, but leather, paper, or another media may also be used; the designs may be intended to be framed, or to decorate apparel, bed linens, furniture coverings, pillows, altar cloths, ceremonial hangings, or other items.
- lotus (motif) - Decorative motif of highly conventionalized flowers or buds derived from certain Egyptian plants; common in ancient Egyptian art and, in classicizing styles, in anthemions.
- Ming - Refers to the period and styles associated with the Chinese dynasty dating from 1368 to 1644. It is characterized by being a period of stability, prosperity, and by a renewal of Chinese culture and national consciousness. Styles in this period developed largely from a system of court patronage of the arts that generally encouraged a high level of workmanship, but conservatism in design and technique. The major art produced during this period includes cloisonné, enamelware, bronzework, lacquerwork, furniture, and small ornamental carvings of jade, ivory, wood, and porcelain. In ceramics, earlier styles, including, blue-and-white wares, were refined in technique and decoration. In architecture, the earlier experiments of the Sung period were abandoned, in favor of more traditional designs, including the construction of the Forbidden City in Peking. In painting, schools of professional academics/artists and "literati" encouraged independent, personal styles.
-
textiles
- Refers collectively to items made of textile materials. For the general category of these materials, see
. - three-dimensional - Having, or appearing to have, the three dimensions of length, width, and height.
- thrones - Ceremonial chairs or seats occupied by a monarch, prelate, or other high dignitary, especially on state or other special occasions; usually placed upon a dais and covered with a canopy.
- weaving - Generally, the process of interlacing strands or strips of various materials, such as cane, textile, or twigs, to make materials or objects such as wicker, cloth, baskets, or wreaths. Specifically used for the process of making textile on a loom or other weaving device by interlacing warp and weft in a particular order.
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