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Woman with Book

1918
20th century
16 in. x 5 1/2 in. x 6 in. (40.64 cm x 13.97 cm x 15.24 cm)

Jacques Lipschitz, French, (1891–1973)

Object Type: Sculpture and Installations
Creation Place: Europe, France
Medium and Support: cast bronze
Credit Line: Carleton College Art Collection, gift of the class of 1955
Accession Number: 1998.126
Woman with a Book fits very securely within Lipchitz's cubist period. Made in 1918, it possesses the faceting of surfaces and angularity of shape that are the trademarks of cubism. The body parts of the woman are seemingly detached from one another: one shoulder protrudes while the other recedes, we see a profile view of the face while the hair appears head-on. In this work, however, Lipchitz is still refining his cubist style. It holds much in common with Seated Man with Guitar I (1918-19, 30') in their similarly rectangular, block-like shape, and their preponderance of straight lines. However, Woman with a Book, at eighteen inches tall is much smaller than most of his other sculptures of this period. As Lipchitz worked further in the cubist mode, his sculptures became much more receptive to being viewed in-the-round. An example of this is what many see as Lipchitz's greatest accomplishment in his Cubist period, his bronze Bather (1922-23, 80'). As a critic states, during the years of 1915 to 1925 Lipchitz developed his Cubist formula for sculpture with increasing richness and tension....In these works we see a sealing-off of the closed form, the preponderant vertical, and the inner dynamism of the contrasting directions of parts and of contrasting light and dark, which is governed by a masterly distribution of the concave and convex. Using modest dimensions, he creates grand forms, hardly recognizable any longer as human anatomy, figures re-created according to other biological laws. Comparing them to other works one can say without exaggeration that these are peak achievements....'

Woman with a Book was given to Carleton College by The Class of 1955. It was purchased directly from the artist in 1955. The sculpture is on permanent display in the lobby of the Laurence McKinley Gould Library. Mr. Lipchitz visited and gave a public lecture on the Carleton College campus in December of 1963.

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